Figment Fundraiser in New York this Friday

May 15, drop anchor and walk the plank at OVERBOARD, an all-night dance party to benefit FIGMENT. For one night only, we will transform a haggard ferry dock into a merry port of call, featuring the siren songs of the city’s finest bands, DJs and performers. Maritime, mermaid, sailor, pirate, deep sea creature or other nautical attire is encouraged.

Scuba dive with sonic schools of fish from…DJ D_JUICE
Set yourself adrift to the melodious island stylings of…XYLOPHOLKS (myspace.com/xylopholks)

See http://www.figmentnyc.org/overboard/ for tickets and flyer

Friday, May 15, 2009 at 9:00pm – 4:00am
Battery Maritime Building ferry slip
Street: 10 South St, Slip #7
New York, NY 100041 to South Ferry,

R/W to Whitehall and 4/5 to Bowling Green.


Linda Gass Open Studio May 2 & 3, 2009

Linda Gass, one of the Black Rock Arts Foundation Advisory Board Members and a fabulous artist (her work is exquisite) sent me a note about the Open Studios she is going to participate in this weekend. Stop by and tell her hello, I am sure she would love to see you!

Saturday and Sunday, May 2 & 3, 11 am – 5 pm: I’m participating in the Silicon Valley Open Studios at my studio in the Cubberley Community Center. I’ll be unveiling my newest work exploring land use issues around San Francisco Bay. Here’s the teaser: the subject of this work is personal and dirty – come see for yourself what that means! 20 of the artists at Cubberley will have their studios open so there’s lots to see (sculpture, painting, photography, printmaking, mixed media, installation art and more) and some of us will be demonstrating our artmaking processes.

Here’s a map to the location and the artist studios are in wings E, F and U (my studio is F-2); parking is plentiful in the large parking lots. http://www.lindagass.com/Cubberley.html

If you’d like to familiarize yourself with the other artists at Cubberley, you can view the Cubberley Studios website. http://www.cubberleystudios.com/

I’ll have a few map guides available at my studio for all of the other open studios in Silicon Valley.

Open Studios can be a fun way to spend some time with family and friends. And if you need some sustenance, there’s good food and the best ice cream right next to Cubberley: have lunch at the tasty Burmese/Chinese Restaurant, Green Elephant Gourmet or Mountain Mike’s Pizza. Bring the kids and be a kid yourself and have ice cream at Rick’s Rather Rich Ice Cream? Really…there’s something for everyone ;-).

Linda Gass


Aeolian Ride

photo by: Jill Nussbaum Capetown South Africa 2005

photo by: Carine Zaayman
photo: Megan Anton
photo: Jessica Findley (Across the beloved Brooklyn Bridge, that’s her Dad bringing up the rear)
photo: Jessica Findley THE RIDE BEGINS!@ 84th + Riverside 50 suited bikers hit the Greenway.
photo: Jessica Findley
You are now entering the Wayback Machine. Time to tell you once again about one of our early grant recipients, and what she is doing now.

In 2004, as part of our Grants-to-Artists Program, the Black Rock Arts Foundation gave Jessica Findley $1,000 to support her first Aeolian Ride in New York, New York.

AEOLIAN: Relating to or caused by wind + RIDE: To be carried or conveyed or travel over a surface.

Jessica Findley’s Aeolian Ride is a Public Happening of kinetic art involving 50 costumed bicycle riders. This Happening is intentionally silly, intended to inspire laughter from both participants and onlookers alike.

The Aeolian Ride gets its inspiration, quite literally, from the greek god of the wind. Each participant wears a suit that puffs up when they ride looking like creatures from children’s fairy tales, the softness of clouds, or the ethereal quality of a sail catching wind. The ride also fosters interaction between the individual and his or her environment, supporting the animated experience of riding a bicycle in an urban area in a way that invites union of the excitement and playful energy of both riders and spectators.

The Aeolian Ride packs down into 50 easily transported suits which made their debut in New York and then were invited to make their international debut in Capetown, South Africa in November of 2005. The suits are made of rip-stop nylon, designed to be safe and to allow riders to wear their helmets. Patterns for three suits are available online!
Check it out, watch the video of the first Aeolian Ride!

http://vimeo.com/moogaloop.swf?clip_id=1894413&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=&fullscreen=1
THE FIRST AEOLIAN RIDE NEW YORK from sonicribbon on Vimeo.

There have been several Aeolian Rides:
NEW YORK 09.08.07
MILANO, ITALY 11.27.08, and coming up in a few weeks,
TOKYO, JAPAN 05.16.09

BRAF’s Volunteer Coordinators

So I have been thinking that y’all need to get to know us a little better over here at the Black Rock Arts Foundation, or as we like to call it, “BRAF”. I understand that a lot of the information that I am going to tell you is in fact on the BRAF website but I am hoping it will be fun and easy to learn new things about us in our new blog series “Moment of BRAF.”

So pull up a chair and here we go…Moment of BRAF.

We have not had a “volunteer coordinator” position at BRAF previously, and now we have decided we need two, Isabel Santis and Kai Wilson. Our Volunteer Coordinators will help us find new volunteers, improve our volunteer in-take process, help us make sure that our volunteers are the right fit, and help train our volunteers as we need them.

So just in case you have been thinking you might want to volunteer for BRAF Isabel and Kai are at the ready to respond to your email about the kind of volunteers that BRAF is looking for, and to read more about our volunteer needs, check them our right here:

Volunteer

Support Interactive Art!!

2008 Grants-to-Artists Recipients – Primal Source and Language of the Birds
Last month the Black Rock Arts Foundation received 267 requests for grants from our annual “Grants to Artists” Program. The program assists artists in creating interactive art and civic participation in their communities and we want to support as many of these brilliant “art instigators” as possible.
How can you help?
We want to raise $5,000 this week! We are celebrating our 1,000 member on our Facebook Causes page, check it out! http://www.causes.com/blackrockarts
Please consider donating $10 or more now, and yes, it is tax deductible.
Our “Grants to Artists” Committee has been working non-stop, pouring through the applications, and will make their final selection by May 15th!
More money, more art in the world!
DONATE

photos: Andrew Rollinger, Steve Rhodes


Open House

Come on by to see us!

Been thinking about volunteering with BRAF, just like to slide by and meet us, well it is open house at the Black Rock Arts Foundation tomorrow and we would love to see you!

WHAT: Surviving Dust Storms & Downturns

Burning Man’s Annual Open House & Potluck Bbq

WHEN: SATURDAY APRIL 4th, 2009

Time: 11am to 3:30 pm

WHERE: BMHQ, 1900 Third Street, SF, CA

www.burningman.com/office.directions

Conveniently located along SF Muni’s T-line

Bring something for the grill and something to share and stop by our offices on the first floor, near the front door!

* * * GIANTS BALLPARK ALERT! * * *

Avoid the ballgame crowds on third street north of 16th street! Rideyour bike, take the Muni T-line, or if you must drive, stay south on16th street or use Highway 280, Mariposa exit.


CELTIC FOREST: BOOK OF THE RAVEN

The Black Rock Arts Foundation is proud to announce the exhibition of Celtic Forest by Laura Kimpton and Jeff Schomberg.

Celtic Forest at BRAF’s 2008 gala: ARTumnal Gathering photo: Camera Girl

Celtic Forest as seen at Burning Man 2008
RENO, NV – Previously exhibited at Burning Man in 2008, “Celtic Forest: Book of the Raven” will soon transform an empty lot into a dramatic interactive art installation, performance venue and community gathering spot. Its presentation is unique, not only in its materials of metal and fire, but also in its scale and artistic vision. Celtic Forest was conceptualized by Laura Kimpton and created by artists Jeff Schomberg, Antonio Ruperto, and Bob Hofmann.

This temporary installation by the river features a 16-foot tall, steel and copper book entitled “The Book of the Raven”, three 10-foor tall sculptures, and three 20-foot tall flaming metal trees called “Treelabra’s”. Fire Special Effects will light up the night sky while fire dancers and spinners from Controlled Burn will surround the Forest creating an evening spectacle never before presented in downtown Reno.

This outdoor exhibit will run July 1 through December 1, 2009

Celtic Forest is an environment where the elements of nature, earth, wind, water, and fire, literally and figuratively represented, are balanced with the human senses. Each of the Gods/Goddesses are surrounded by moats representing an element – and all moats will represent fire. The sculptures created by Antonio Ruperto are: the Goddess of Air, Belissima; the Goddess of Water, the Mermaid Boann; and the God of Earth, the Centaur. The moats house metal books, each with a title. Artist Laura Kimpton states, “We hope to create a Celtic place where you can break free from the voice of words, so that other voices, the voice of sight, the voices of intuition, smell, and nature – can be heard and celebrated. The sculptures are half-human and half-animal, bird or fish, symbolizing that we need to tune into the animal side of our nature…”

While embracing many “new age” systems of our era, Laura Kimpton became especially interested in the largest social art experiment of our time, Burning Man. In 2007 and 2008, Laura Kimpton, Jeff Schomberg, and Bob Hofmann received Burning Man Honoree Grants to help build “Celtic Forest”.

Various parts of Celtic Forest have since been exhibited in Museums, Art Galleries, and Benefits, including: “Close to the Flame” Museum of Art & History, Santa Cruz, CA; “Burning Words” Exhibition, Laura Kimpton & Jeff Schomberg, NY Studio Gallery, New York; “Bringing Back the Fire”, Santa Rosa Junior College Art Gallery, Santa Rosa, CA; “Treelabra” Site Installation, Forest Ethics Benefit, supperclub, San Francisco; and “In Flight” Site Installation, Project One Gallery, San Francisco.

“This is the second Burning Man art installation to come to Reno through the collaboration of the Civic Art Program of the Black Rock Arts Foundation, the non-profit art organization of Burning Man, and The City of Reno Arts and Culture Commission’s grant program. “Celtic Forest: Book of the Raven” supports the mission of the Reno Arts program to involve its citizens in the community’s cultural life and encourage artistic excellence,” said Maria Partridge, Reno project liaison for BRAF.

To make a DONATION to this project.

PRIOR POSTS


His & Her: Line in the Middle

His & Her: Line in the Middle photo: Jaz Fabry
[youtube=http://www.youtube.com/watch?v=PCeIgJlD4OM]
video: Jeff Schomberg

Laura Kimpton photo: Toohip Tobesquare
Laura Kimpton photo: Jaz Fabry
Laura Kimpton photo: Jaz Fabry Laura Kimpton photo: Jaz Fabry
Jeff Schomberg photo: Jaz Fabry
Jeff Schomberg photo: Giamma
Jeff Schomberg photo: affinity
His & Her: Line in the Middle
Laura Kimpton and Jeff Schomberg
Project One Gallery
251 Rhode Island, San Francisco

March 18-April 18, 2009

Open: Happy hour: M-F, 5pm – 8pm

We went to the opening of this show and it was fabulous. Jeff’s work is scuptural, dimensional, with clean lines and yet rustic and open. Laura’s work is varied, definite, thoughtful and I especially loved seeing her use of the encaustic method which was new to me.

Stop by and have a drink, view this work which is more impactful seen together than if seen alone. It is beautifully curated by Brooke Waterhouse and I loved the new art/club space Project One.


Detroit Dream Project Speaks at the Regional Summit

The wedding at the dedication of the Temple

In June 2008 the Detroit Dream Project was built, and is one of BRAF’s Civic Arts Program recipients. In 2007 BRAF granted them $15,000 and the Detroit Burners were charged to raise the matching $15,000 that was needed to build a temple on an empty lot in Detroit where a crack house once stood. But the process began long before that grant. You have read a lot about the Detroit Dream Project in our blog.

At the Burning Man Regional Leadership Summit, Cynthia “Cooky” Jones and Willie from Chicago talked about that process and here is the project’s written summary:

The Michagan Burning Man group represented by their community non-profit (SPARC) in conjunction with the Black Rock Arts Foundation (providing critical grant funding and support), David Best (temple artist), and the Motor City Blight Busters (local non-profit partner, land owner) built a Temple to the American Dream in June 2008 in northwest Detroit, Michigan.

This project began as a dream inspired by Burning Man art projects and our desire to build locally on February 10, 2005. The project encountered numerous issues along the way including materials, design, and a very difficult economy. Despite delays and road blocks the project team perservered, BRAF maintained their commitment and the land owners and community maintained their support and belief that the Temple would eventually be built. After years of dreaming, two years of planning and fundraising, a major design change, and a great deal of sweat, the Temple of the Amercian Dream was completed June 20, 2008.

SPARC and the Michigan Burning Man Community’s project commitment is on-going. The Temple’s current physical incarnation is hoped to last until summer 2013 (5 years) minimum; its life ccle will be weather dependant and this design is previously untested in a mid-western winter. Future art, gardens and upkeep for this site will be developed collaboratively with the local community, the local kids are project “PAWZ”, and the local Burners. We have formed friendships and partners in the long days of a very difficult project.

Like the ripples of a rock tossed in a pond, the results of this project go far beyond the Temple. We hope that most of the ripples are positive like the wedding that occurred on the Temple dedication day, the coat drive for the homeless held on site on a frigid dark December Day, and the many smiles, hugs and tears that have been shared there, and the growth and lessons that we learned along the way.

Community was created around this project in several different ways. At the beginning of the project it became clear that a local non-profit was needed so they created SPARC, The Society to promote Art and Recreation in the Community.

The fundraising aspect of the project was long and arduous. Cooky tells us that at many junctures it seemed hopeless, that the locals would never accept influences from California, that there was no local money to be raised and raising the money in dribbles and dabs was painful, but she knew the day a homeless man gave her $20 for the Temple that there was no going back and that a temple must be built.

In addition, the Burning Man community in Detroit and the other Temple supporters became connected with Detroit Blight Busters, and the dedication of the Temple is timed to coincide with Blight Busters 20th anniversary.

In the fall of 2008, an arsonist burnt a small portion of the Temple. The neighbors caught the arsonist and put out the fire, and it became clear that now the Temple now belongs to the neighborhood.

The community continues to support the Temple.

March 28, 2009
Spring Clean-up
Saturday March 28
10:00 AM
coinciding with the Detroit Project Day that brings over 1,000 University of Michigan students to Detroit to help in clean-up efforts throughout Northwest Detroit. Please wear “gardening” clothes including gloves & dress for the weather. We’ll do our first post-winter park clean-up to freshen up the site. Trash bags will be provided. Feel free to bring beverages or snacks to share.

Previous posts: http://blackrockarts.blogspot.com/search/label/Detroit%20Dream%20Project

photo: Fuzzytek Photography LLC – All Rights Reserved


BRAF Goes to the Burning Man Regional Leadership Summit

Josie, Black Rock Arts Foundation
affinity and Tomas in between sessions at the Regional Summit

Several weeks ago, Tomas McCabe, BRAF’s Executive Director, BRAF’s Josie Schimke, Program and Development Assistant and I, affinity, BRAF’s Social Network Coordinator, (and registrar for the Summit) had the privilege of attending the Burning Man Regional Leadership Conference here in San Francisco. It was exciting to be with people from across the globe who were looking forward to being here to learn and share information about being a Regional Leader. We were thrilled to meet many people that we had corresponded with but never met.

There were brainstorming sessions, social networking, public relations, conflict resolution, event production, building community and a host of other lectures and workshops, all with the goal of creating a stronger regional network. Tomas, Josie and I learned a lot during the weekend, but our favorite part was when 2 separate regional groups, that were BRAF grant recipients in 2008, got up to tell the stories of how they brought public, interactive art to their regions. I am going to tell you more about those stories in a different post but first I am going to tell you what the Jack Rabbit Speaks had to say about the Regional Leadership Summit:

We recently finished up our 3rd annual Regional Network Leadership Summit …Nearly 100 attendees (including Regional Contacts and other leaders from local communities who were welcomed as invited guests) from across the country and the globe joined us at Burning Man Headquarters for a weekend full (and we do mean FULL) of discussion, brainstorming, collaboration, presentations, creativity, and socializing — all about how to take their experiences with Burning Man and share them with the rest of the world all year long. The place was downright packed, and the vibe positively electric with ideas arcing across the room, and people connecting to collaborate on projects larger than the sum of their parts. Imagine a really boring conference…only you’re all talking about REALLY COOL STUFF, and everyone around you is incredibly interesting, it’s actually NOT BORING. Through workshops, roundtable discussions, and a whole lot of socializing in the halls, the themes of leadership and connecting our participatory culture were explored, expounded upon, and examined. If you’re curious to hear more, ask your local Regional Contact, if you have one in your area, whether or not he/she went. It was great to have a nice jolt of inspiration right at the Burnal Equinox, when the apex of our annual cycle’s orbit takes us the “farthest” from the playa.

photos thanks to: http://curiousjosh.com/ and http://theblight.net/